A.M.D.G. studio

Over the course of ten years, I developed a music technology-focused curriculum using the following equipment; which I purchased through judicious use of budget, solicitation of donations, and earned income from student performances.

A.M.D.G. records

Students enrolled in my Audio Production Techniques course would rehearse and record their own project recordings, which would then be released on the school label, A.M.D.G. Records.

Microphone preamplifiers

John Hardy M1, four channel preamp with meters and transformers (x2 for 8 channels)

True Systems Precision 8, eight channel preamp (x2 for 16 channels)

Audio interface

Apogee Symphony I/O (24 in, 8 out)

Monitoring control

Cranesong Avocet
Hear Technologies Hear Back System (multichannel headphone mixes for 8 musicians)

Monitoring speakers

KRK 7000b (x2) donated by Clinton Recording Studio 2010
Yamaha HS50 (x2)

Outboard processing

Patchbay:
Swithcraft 9625 donated by Switchcraft 2012

Compressors:
Aphex 651 Expressor with Jim Williams (AudioUpgrades) modifications (x2)
Ashley SC50 (original blue face version. Our unit was originally purchased by and used for decades at Electric Lady Studios)
JBL 7110 (x2)
Symetrix 501 (original toggle version)

Digital audio workstation

Apple Logic 10 (site-license for control room and smart practice rooms)