A.M.D.G. studioOver the course of ten years, I developed a music technology-focused curriculum using the following equipment; which I purchased through judicious use of budget, solicitation of donations, and earned income from student performances.
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A.M.D.G. recordsStudents enrolled in my Audio Production Techniques course would rehearse and record their own project recordings, which would then be released on the school label, A.M.D.G. Records.
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Condenser microphonesAKG C414EB p48 (x2)
AKG C414TLII (matched pair) AKG C414BULS Audio Technica AT4047 Neumann TLM193 Rode NT5 (x2) Schoeps CMC6, MK4 (matched pair) Shure KSM32 (x2) Ribbon microphonesDirect boxes |
Dynamic microphones |
Microphone preamplifiersJohn Hardy M1, four channel preamp with meters and transformers (x2 for 8 channels)
True Systems Precision 8, eight channel preamp (x2 for 16 channels) Audio interfaceMonitoring controlMonitoring speakersKRK 7000b (x2) donated by Clinton Recording Studio 2010
Yamaha HS50 (x2) |
Outboard processingPatchbay:
Swithcraft 9625 donated by Switchcraft 2012 Compressors: Aphex 651 Expressor with Jim Williams (AudioUpgrades) modifications (x2) Ashley SC50 (original blue face version. Our unit was originally purchased by and used for decades at Electric Lady Studios) JBL 7110 (x2) Symetrix 501 (original toggle version) Digital audio workstation |